Artist: Axxis: mp3 download Genre(s): Metal Metal: Heavy Rock Rock: Hard-Rock Discography: Paradise In Flames Year: 2006 Tracks: 14 Time Machine Year: 2004 Tracks: 12 Collection Of Power Year: 2002 Tracks: 7 Eyes of Darkness Year: 2001 Tracks: 13 Pure and Rouht Year: 1999 Tracks: 9 Voodoo Vibes Year: 1997 Tracks: 12 Matters Of Survival Year: 1995 Tracks: 12 The Big Thrill Year: 1993 Tracks: 11 Axxis Ii Year: 1990 Tracks: 11 Kingdom Of The Night Year: 1989 Tracks: 12 Hoping to play along in the footsteps of the Scorpions earlier them, German metal/hard rock stripe Axxis was formed in 1988 by Bernhard Weiss (vocals, guitar), Walter Pietsch (guitar, vocals), Werner Kleinhans (bass), and Richard Michalski (drums). Quickly signed by EMI's German subordinate, Axxis unleashed their impressive Kingdom of the Night debut album the following class, and followed suit with 1990's II and 1991's live Access All Areas. Although none of these releases fared all that well outside of their native land, 1993's The Big Thrill was considered something of a band landmark for being their commencement effort recorded in America (Philadelphia, to be precise). (It as well saw the comer of keyboardist Harry Oellers and, soon after its transcription, the divergence of bassist Kleinhans.) Axxis carried on undeterred, nevertheless, touring consistently across Europe and transcription 1995's Matters of Survival in Los Angeles with celebrated producer Keith Olsen. 1997's Voodoo Vibes preceded an extended layoff punctuated by major musician employee turnover, as longtime guitarist Pietsch distinct to move back and was replaced by Guido Wehmeyer. A new basso purpose player named Kuno Niemayer was excessively on deal by the fourth dimension Axxis made their comeback with 2000's Back to the Kingdom, and, since then, the stripe has released Eyes of Darkness in 2001 and Meter Machine in 2004. |
Monday, 25 August 2008
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Saturday, 16 August 2008
George Furth, Sondheim collaborator, dies
George Furth, an actor and playwright wHO wrote the book for the forward-looking Stephen Sondheim musical "Company," died Monday. He was 75.
Furth died at a hospital in Santa Monica, Calif., said Dennis Aspland, his agent, who didn't know the cause of death.
Furth's quislingism with Sondheim started with 1970's "Company," an unconventional, revuelike musical which followed the tribulations of a thirtysomething New York unmarried man and his inability to commit to a relationship. Furth won a Tony for his book of the point, which was directed by Harold Prince and featured the choreography of Michael Bennett.
"Company" has had deuce Broadway revivals since so - in 1995 and again in 2006 in a production where the actors as well served as the show's musicians.
"Merrily We Roll Along," based on a play by Moss Hart and George S. Kaufman, was the duo's second musical collaboration. The 1981 show, which told its showbiz story in reverse chronology, closed in two weeks. Yet Sondheim's score remains a favourite of musical buffs, and revised versions of "Merrily" have been done in various regional theaters as well as in London.
Furth and Sondheim also collaborated on "Getting Away with Murder," a comedy thriller that had a little Broadway run in 1996.
Furth began his career as an worker, appearing on Broadway in such transient productions as 1961's "A Cook for Mr. General" and the Judy Holliday musical "Hot Spot" in 1963.
As a playwright, Furth had respective solo Broadway productions, most notably "Twigs" (1971), a comedy which won its star, Sada Thompson, a best-actress Tony. Directed by Michael Bennett, it told the story of quatern women, all members of the same family and all played by Thompson.
Among Furth's former Broadway efforts were the book for the John Kander-Fred Ebb musical "The Act" leading Liza Minnelli (1977) and two other plays, "The Supporting Cast" (1981) and "Precious Sons" (1986).
Furth too acted in movies including "Butch Cassidy and the Sundance Kid," "Myra Breckenridge," "Airport '77" and "Shampoo," as well as numberless TV comedies.
There were no immediate survivors.
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Thursday, 7 August 2008
Australian Independent Label Eleven Enters Joint Venture With Universal Music Group
SYDNEY, July 30, 2008 � Acclaimed Australian independent label, Eleven: a music company, and the Universal Music Group, the world�s leading music company, proclaimed today that they take entered into a new joint venture.�The two companies will partner equally in releasing recordings by preeminent Australian artists, including Missy Higgins, Kisschasy, Little Birdy, Paul Mac and Silverchair.
The agreement will continue to provide these artists with full ascendence over the creation of their music.�Marketing will be brought in house at Eleven, and promotion will be outsourced.�Universal Music Australia will provide funding, statistical distribution, back power services and strategic oversight.�This new poser will allow Eleven�s artists to aggregate the exemption and flexibility of an independent career with the �muscle� of a major label.
�Everyone at Eleven is very emotional to be entering into this partnership,� aforesaid label President, John Watson. "We share Universal's belief that transformative times like these demand new shipway of doing business.�This newfangled structure will allow our artists to make the music they want to make and to get it heard as widely as possible over the years ahead.�
George Ash, Managing Director, Universal Music Australia, commented:��John Watson, Melissa Chenery, the squad at Eleven, and their amazing artists are at the head of success and creative thinking, and the Universal Music family is honoured to be partnering with them as we work towards an exciting new future.�Our bond is based upon a heat for artists and connecting them with their fans in a fast changing music world.�Eleven are the leaders, the innovators and the dead on target home for artists.�We couldn�t be more than excited.�
John Watson Management, which counts well-nigh of the Eleven roster as clients, will go forward to operate as a completely independent entity for its current roster.�Future signings will be made to a new management company in partnership with Universal Music.�In each case, the new structure will provide JWM/Eleven artists to more than closely aggregate the exposure of their recordings and touring.
�In this cluttered media environment, we believe that artists need to aggregate their finite marketing and promotional resources,� aforementioned John Watson.��Instead of the traditional approach of having one grouping of people trying to sell �CDs� while others try to sell �concert tickets�, artists need to be in the broader business of building abiding relationships with their audiences in all the different forms that may take.�Universal Music truly understands all this, so our new deal testament allow us to integrate those processes much more than seamlessly.�
Max Hole, Executive Vice President, Universal Music Group International, and President, Asia-Pacific Region, said, �John Watson has an enviable track record for finding and developing capital talent.�This partnership with Eleven promises a new way of connecting those artists and their music to the widest possible audiences.�We can�t hold off to contract started.�
The Universal Music joint venture brings to an end Eleven's remarkably successful association with Virgin/EMI Music Australia.�During that time, Eleven's artists sold over 2 million albums and standard 21 ARIA Awards.
�On behalf of ourselves and our artists, I want to sincerely give thanks EMI Australia�s past and present stave for all their grand and consecrated work,� said John Watson.��While we�ll miss our friends thither, we trust that this new venture with Universal Music volition definitely provide the topper strategic fit for us over the years ahead.�We are very excited to be starting this newfangled chapter in partnership with George Ash and his team.�
The new distribution arrangements for Eleven will direct effect from September 1.�Existing global licensing arrangements for Eleven artists are unaltered.
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